In the history of Witchcraft there is perhaps no figure
more mysterious than the Witch known as Maddalena. As
described by folklorist Charles Leland in several of his books, Maddalena
was an Italian fortune teller and Witch. She supplied Leland with a great deal of Italian Witch lore
including the text Leland later published as the Gospel of the Witches
in 1899. Maddalena was also known to folklorists Roma Lister and
Lady de Vere (to who she was introduced as "Margherita").
New findings related to Maddalena have recently come to light through
some research I conducted at the Library of Congress. At the Pantheacon conference, on February 17th, 2008,
I presented a copy of a page from The International Folklore
Congress: Papers and Transactions, 1891. On page 454, Maddalena's
name appears as a contributor to an exhibit presented by Charles Leland.
Her name is given as Maddalena Taluti. In the modern Pazzaglini
translation of Aradia, contributing writer professor Robert Mathiesen
wrote that he believed Maddalena's last name to be Talenti. In
light of new findings he is incorrect, but he does state that her name
was almost illegible in the document he examined.
According to Leland, in his book Etruscan Roman Remains,
Maddalena was originally from the town of Rocca Casciano, which is now
called Rocca San Casciano. It is located in the Province of Forli-Cesena
in the Italian region of Emilia-Romagna. She reportedly traveled a
great deal, making a living telling fortunes and selling charms.
According to Leland, Maddalena claimed to have been trained in a family
tradition of Italian Witchcraft, which was passed on to her by aunts and
by her step-mother.
The Aradia material obtained for
greatly from the material that Maddalena had previously supplied to him. In
the book Etruscan Roman Remains, Leland describes the Witches of Italy as being
both good and bad. By contrast the Aradia material portrays
Witches in a negative light. It is noteworthy that he describes a group that
he calls the "beautiful witches of Benevento." Concerning Maddalena
herself, Leland describes her as:
young woman who would have been taken for a Gypsy in England, but in
whose face, in Italy, I soon learned to know the antique Etruscan, with
its strange mysteries, to which was added the indefinable glance of the
Witch. She was from the Romagna Toscana, born in the heart of its
unsurpassingly wild and romantic scenery, amid cliffs, headlong
torrents, forests, and old legendary castles. I did not gather all the
facts for a long time, but gradually found that she was of a Witch
family, or one whose members had, from time to immemorial, told
fortunes, repeated ancient legends, gathered incantations, and learned
how to intone them, prepared enchanted medicines, philtres, or spells.
As a girl, her Witch grandmother, aunt, and especially her stepmother
brought her up to believe in her destiny as a sorceress, and taught her
in the forests, afar from human ear, to chant in strange prescribed
tones, incantations or evocations to the ancient gods of Italy, under
names but little changed, who are now known as folletti, spiriti, fate,
or lari - the Lares or household goblins of the ancient Etruscans."
After receiving material from Maddalena, which
became the foundation for the books Legends of Florence and Etruscan
Roman Remains, Leland made another request. In 1886, Leland
asked Maddalena to try and locate a text that he had heard of that was a
type of Witches gospel. Eleven years later she sent him some
material that Leland published as Aradia; or the Gospel of the
Witches. It is noteworthy that Maddalena had fulfilled
Leland's previous requests for material within a short period of time.
The fact that it took her ten years to present the Aradia material
strongly suggests that she was originally unaware of it. This further
suggests that the tradition it represented was not the one she
The tradition that Maddalena most likely practiced is reflected in
Leland's books Etruscan Roman Remains, Legends of
Florence, and Legends of Virgil. The portrayal of Witches and Witchcraft in
Leland's Gospel of Aradia does not reflect the same image as his
earlier works. This is another indication that the material came
from a system outside of Maddalena's own knowledge and experience.
A letter from Leland to his niece,
which I presented a copy of at the Pantheacon conference,
describes Maddalena performing a ritual in which she invokes a goddess
and a god. During the invocation, Maddalena reportedly went into
convulsions, and Leland had to send out for two pints of brandy in order
to restore her back to normal. This speaks to Maddalena as a
genuine practitioner of the Old Religion. Leland goes on in the
letter to say that if ever there was a true depiction of the witch,
Maddalena demonstrated it through her magic.
In the book Aradia, Leland notes that
he lost touch with Maddalena after receiving a letter from her that she
was marrying her shoemaker (Lorenzo Bruciatelli) and immigrating to
America. As a result of this comment, the view has been held that
Leland never heard from Maddalena again, and what became of her is
unknown. Fortunately, another recent discovered by me came in
the form of a letter found in the archives of the Library of Congress
(buried in a stack of old letters). The letter, written by Leland
to his niece, mentions that Maddalena did not move to America, but left
her husband and went to Genoa to make a living there on her own.
She wrote to Leland letting him know what happened, and she asked him if
he could send her ten francs as she was in a difficult financial
situation. He complied, but it seems that the two never met again after
As the materials discovered in my
research continue to be read and documented, many more interesting tid-bits
no doubt await those who are interested in Leland, Maddalena, and
Aradia. Check back to this website as we will be posting the
findings through updates.
Most recent update: November 4th, 2008